Orchestra "Russian Philharmonic".

D. A. Lukyanov, I. N. Mikhailova

midi - NETWORK interface
music systems

Application of digital music
tools having the princi-
fundamentally new operational
our possibilities, reveals a number
new for household and music
electronics problems. One of them -
creating a simple, reliable and flexible
what kind of management system and inter-
actions of digital music in-

instruments combined into a group,
each of which contains its own
queue one or more processes
litter When organizing communication between
diverse musical instruments
ments found application of the principles
ways to create local computers
ny networks. In particular, cheap
a simple and reliable means of communication

zi has become accepted as a standard
ta de facto digital mu-interface
musical instruments (MIDI),
including a hardware standard
part and information exchange protocol
mation.

From a technical point of view, MIDI
is an ordinary asyn-
chronic serial interface
th exchange with transmission speed
31.25 kBaud current loop type, using
the current source in which is
information transmitter. Rev. speed
The change selected is a multiple of the clock hour -
tote of audio signal sampling
la to reduce the level of interference,

simplification of synchronization and possible
the software implementation of the acceptance
transmitters in some models
KMC. To reduce the level
MIDI bellows is electroplated
isolation between devices. For-
mat of transmitted information - bye -
brand new, and each package contains
one starting, eight information
on-line, one control and two hundred-
new bits. The check bit is always
yes equal to zero. The interface is easy to implement
lysed using LSI KR580IK51
(Fig. 1),

Local network of musical instruments
rumentov is a chain
point structure consisting of os-
new controller (in his role
the controlling computer acts
or the keyboard of one of the KMC), and
slave devices that can
transmit information to control
ler network at his request. Each mouth
swarm in the chain serves simultaneously
specifically a MIDI signal repeater
fishing for the next one. Such
communication system allows you to have two
control mode in the system, real-

lyzable by software add-on -
MIDI protocol. Registration protocol
laments the exchange of information in
networks with data blocks of various lengths
us-messages. In messages from
the command code is kept, the address is
receiver (channel number) and parameters,
specifying the command (Fig. 2, 3),
Accordingly, each receiver
connected to MIDI, selects from
flow of transmitted messages only

related to him coincidentally
your address with your login number
ical channel contained in
first byte of messages. Addresses at
Receivers can be installed either
hardware or software after
system reset commands
my MIDI system initialization,
i.e. in this way it is carried out
flexible switching of physical devices
attacks on MIDI logical channels
systems.

Type 1 - simultaneous control
all instruments. Implements-
using addressless commands, called
by system messages.
Such messages could be
start commands, system reset,
real time stamps required
suitable for mutual synchronization of mu-
vocal instruments.

Type 2 -- transmission of commands and para-
meters to individual devices,
It is implemented by including in the code the command
y receiver addresses. Broadcast
commands in MIDI switches the reception
nickname into standby mode, and then
few bytes (number of bytes
depends on the type of command) accepted
toil like the body of the message. The rest-
receivers ignore transmitted
bytes up to the next
total command byte. Transferred
the team can also initiate
transfer of information back to
controller, but since this happens
runs in only one of the modules,
conflicts during transmission over a single
no output line occurs.

Since the commands are different from
data installed by the senior bye
volume and the channel number code takes
there are four bits in the command byte (on
one MIDI output can be supported
connect up to 16 devices with independent
control) described by the protocol
count implies only limited
a set of command types. However
for their transfer it is only necessary
1 « 4 3 bytes, which corresponds to the output

with an average of 2000 commands/s. These

teams manage such fast-
changing parameters like
volume and frequency,

In order not to limit
use of the standard in the future,
there are also “exclusive
system messages", preliminary
marked by an addressless command - marked
kerom messages. The body of such a message
can contain arbitrary
number of information bytes,
in particular, indicating the identification
kator of the instrument to which it is
applies. All other devices
at the same time they also ignore the transmission
collected data. Exceptional co-
communication is analogous
sequences in text processing
botka and significantly expand the
selection of addressable devices and execution
operations, however, at the expense
reducing the speed of control
nia. This is not essential
disadvantage, because in this way
are most often transmitted quite
complex, but rarely executed
commands corresponding to reconfiguration
guration, rhythm programming
ical drawing, etc.

The appeal of MIDI is
is that with exceptional ease-
that is, it is quite functional
capable and extremely flexible
means of communication between digital devices
to the local network. Having emerged as
interface for musical instruments
cops with a clearly established meaning
scrap teams and specific models
musical synthesizers, MIDI
can be heavily used in
control of studio equipment
(tape recorders, mixing consoles)
tami, reverberators, etc.), and
also for creating industrial
local automated
measuring and control complexes
owls of average speed.

Autonomous digital
MIDI programmers that allow
unqualified user
I like a musician to remember the sequence
frequency of messages on the highway
when used as a con-
troller of the usual musical
keyboards, and then edit and
repeat this sequence.
Possibility of automatic formalization of pro-
the process of creating and performing music
cal works provided and
special programs and operations
electronic systems for personal
computers operating in their usual
notational terms for musicians
noah recording and control panels
synthesizers, and relying on
possibility of input-output via re-
assigned logical channels
MIDI,

Phone for inquiries: 132-65*86,

Doctor of Biological Sciences, Academician of the Russian Academy of Sciences

BIOGRAPHICAL NOTE

Sergei Anatolyevich Lukyanov was born on September 13, 1963 in the city of Khimki, Moscow region.
In 1985 he graduated from Moscow State University. M.V. Lomonosov, majoring in Physiology.
After graduating from the university, he began working at the Institute of Bioorganic Chemistry named after Academicians M.M. Shemyakin and Yu.A. Ovchinnikov RAS (IBCh RAS), where he worked his way up from a trainee researcher to head of department and deputy director of the institute.
In 1994 he defended his thesis and in 1999 his doctorate on the topic “Selective suppression of the polymerase chain reaction - a new approach to the analysis of the structure and expression of complex genomes.”
In 2003 he was elected a corresponding member of the Russian Academy of Sciences, and in 2011 - an academician of the Russian Academy of Sciences.
In 2012-2013 He held the position of Assistant to the Federal Minister in the Ministry of Health of the Russian Federation.
In 2010-2013 worked at the Russian National Research Medical University named after. Pirogov as a professor, since 2013 - vice-rector for critical biomedical technologies.
On August 8, 2016, by order of the Ministry of Health of the Russian Federation No. 237pk, ​​Academician of the Russian Academy of Sciences Sergei Anatolyevich Lukyanov was approved as rector of the Russian National Research Medical University named after. N.I. Pirogov.

AREA OF SCIENTIFIC INTERESTS

Genetic Engineering.
Analysis of the structure and function of eukaryotic genomes.
Fluorescent proteins

AREAS OF SCIENTIFIC ACTIVITY

Sergey Lukyanov is a leading specialist in the field of research of fluorescent proteins and the development of methods for analyzing the structure and function of complex genomes.
In the 90s, S. Lukyanov discovered the effect of selective suppression of the polymerase chain reaction. Based on this discovery, a number of new molecular genetic methods have been developed, which are widely used in molecular biology and genetic engineering.
In 1999, S. Lukyanov and colleagues cloned the genes for fluorescent proteins of non-bioluminescent coral polyps of the class Anthozoa. New fluorescent proteins have brought the ability to study biological processes in living cells and organisms to a qualitatively new level.
Work in the field of research of fluorescent proteins was awarded the Prize of the Russian Academy of Sciences named after Academician Yu.A. Ovchinnikov for outstanding work in the field of physical-chemical biology and biotechnology in 2006 and the international prize in the field of nanotechnology RUSNANOPRIZE-2012.
During his scientific career, S. Lukyanov published more than 170 articles in peer-reviewed international journals. He is the author of 20 Russian and foreign patents. Hirsch index - 48, total citation index more than 13,000.

PEDAGOGICAL ACTIVITY

Sergei Lukyanov gives lectures on the topic “Bioengineering” at the Department of Molecular Biology, Faculty of Biology, Moscow State University. M.V. Lomonosov (since 2009) and at the Nizhny Novgorod State Medical Academy (since 2010).

Job title: head of department
Academic degree: No
Academic title: Professor
Total work experience: 54 years old
Work experience in specialty: 54 years old
Disciplines taught:“Special instrument”, “Percussion ensemble”, “Methods of teaching percussion instruments”, “Preparation of musical educational programs”.
Name of areas of training and specialties: 03.53.02 Musical and instrumental art, 05.53.01 The art of concert performance, 04.53.01 Musical and instrumental art, 09.53.01 The art of musical and instrumental performance.

In 1969 he graduated with honors from the Ippolitov-Ivanov Music College, and in 1974, also with honors, from the Gnessin State Musical Pedagogical Institute (now RAM) (class of V.P. Shteiman).
Since 1977 he has been working at the Gnessin State Musical Pedagogical Institute-RAM in the Department of Wind and Percussion Instruments.
From 1981 to 2003 – soloist-timpanist, accompanist of the percussion group of the ASO Moscow State Academy of Arts.
In 2003, D.M. Lukyanov accepted an invitation to lead the percussion group of the Russian National Orchestra under the direction of M.V. Pletnev.
“D.M. Lukyanov is distinguished by virtuoso technical mastery of percussion instruments, a precise sense of style of the music performed, seriousness and depth of interpretation, creative search and passion in his work” - this is how People’s Artist of the USSR, laureate of the USSR State Prize evaluates his collaboration with D.M. Lukyanov , Professor V.N. Minin.

Paying serious attention to pedagogy and methods of teaching percussion instruments, D.M. Lukyanov creates a number of methodological works, collections of etudes, transcriptions of pieces written for other instruments and his own compositions for solo and ensemble playing of percussion:

• “Formation of motor polyrhythm skills when learning to play percussion instruments” (Experimental study). Deposited manuscript, Russian State Library, Moscow 1986.
• "Characteristics of the main forms of movements when playing with four sticks on two-row percussion instruments." Educational and methodological manual.

Among the works of D. M. Lukyanov: “Rhythmic dialogues”, “Etudes for timpani”, “Etudes for xylophone”, “Sketch and fugue” for percussion ensemble (quartet), “Scatter of rudiments” for percussion ensemble (sextet), “Suite "for piano and percussion (co-authored with N. Rogachev).
In 2009, the Moscow publishing house “Composer” published two collections with compositions by Dmitry Lukyanov – “Works for Percussion Ensemble” and “Exercises and Etudes for Timpani.”
Reviewing the performing and teaching activities of D.M. Lukyanov, People's Artist of the Russian Federation, Professor T.A. Dokshitser, in particular, points out: “Dmitry Mikhailovich Lukyanov is a bright and rare personality among orchestral musicians. Professionalism, competence, decency, intelligence, and personal character traits make him one of the leading figures in the performing and pedagogical arts of our country. “In both areas, his merits cannot be overestimated.”
Honored Artist of the Russian Federation, Doctor of Art History, Professor and Head of the Department of Interdisciplinary Specializations of Musicologists at the Moscow State Conservatory named after P.I. Tchaikovsky V.N. Kholopova notes “the extremely successful and fruitful activity of D.M. Lukyanov in the pedagogical, performing and methodological fields.” “Dmitry Mikhailovich Lukyanov,” she writes, “is a well-known teacher and performing musician who has acquired a strong reputation as the “father of laureates,” a brilliant soloist and author of progressive methodological works.”
D.M. Lukyanov participated in numerous CD recordings of the world's leading recording companies: Deutsche Grammophon, Virgin Classics, PentaTon Classics, etc.
Among the students of D.M. Lukyanov are soloists and artists of leading orchestral groups in Russia, over 20 laureates of All-Union, All-Russian and International competitions, 15 of them are first prize winners.
Graduates of D.M. Lukyanov’s class occupy leading competitive places in the best orchestral groups in Moscow:

• Orchestra of the Bolshoi Theater of Russia conducted by V. Sinaisky: K. Semenov - Honored Artist of the Russian Federation, soloist, accompanist of the percussion group, laureate of the All-Union and All-Russian competition; V. Nosenko and S. Vetrov – orchestra artists;
• GASO of Russia under V. Yurovsky: A. Bagirov – Honored Artist of the Russian Federation, soloist, accompanist of the percussion group, laureate of the All-Russian competition; N. Ermakov – orchestra artist; V. Terekhov and M. Putkov – orchestra artists, laureates of the All-Russian competition;
• Bolshoi Symphony Orchestra named after P.I. Tchaikovsky conducted by V. Fedoseev: R. Sharaevsky – soloist-timpani player, laureate of International competitions; I. Krapenkov – orchestra artist;
• RNO under M. Pletnev: L. Lysenko and laureate of the All-Russian competition I. Melikhov - orchestra artists;
• NPR under V. Spivakov: Yu. Gridasov – orchestra artist;
• ASO MGAF under Yu. Simonov: A. Bazik – soloist, drum group regulator; laureate of the All-Russian competition V. Martyanov, V. Gomyanin and S. Ampleev - orchestra artists;
• Orchestra “Young Russia” conducted by Yu. Bashmet: A. Zubov – soloist, accompanist of the percussion group, laureate of the All-Russian competition;
• Orchestra “Russian Philharmonic”: D. Utenkov – soloist, accompanist of the percussion group, laureate of the All-Russian competition; A. Dzyuba – orchestra artist, laureate of All-Russian and International competitions; R. Mamleev – orchestra artist;
• Orchestra of the New Opera Theater: V. Sych – soloist, accompanist of the percussion group, laureate of the All-Russian competition; M. Sephanov is an orchestra artist, laureate of the All-Russian competition.

Lukyanov D.M. He has repeatedly conducted advanced training courses for teachers in Moscow and many educational institutions in different regions of Russia.
Topic October 27, 2017: “Analysis of historical gaps in children’s education in the field of percussion instruments” (“Directorate of educational programs in the field of art in Moscow” (GBU DPO Moscow “DOP SKI”).Course topic November 21, 2017: “Multipercussion: the basics of performing technique and methods for its improvement” (“Directorate of educational programs in the field of art in Moscow” (GBU DPO Moscow “DOP SKI”).